Edgar Rice Burroughs wrote the Tarzan series without ever seeing Africa, but whenever possible, I try to visit the places I write about. To complete a Civil War scene in my first novel, Gully Town, I waited for the sun to come up on the exact October day the Battle of Westport took place. I wanted to get a feel for what the troops saw the morning before the battle. And for my novel, Incident at Simms Center, I went to the Chase County Courthouse in Cottonwood Falls, Kansas during a thunderstorm. The climactic scene in the novel takes place on a stormy night, with Herb Tully running up the stairs to the bell tower.
The hub of my third novel, The Ghost Dancers, was Kansas City’s Union Station. When the station opened it was the second largest train station in the country at 850,000 square feet, with a 95 foot high ceiling, 3 chandeliers weighing 3500 pounds each, and a grand clock with a 6 foot diameter face. In the 1930’s and 1940’s meeting under the clock was a way of life in Kansas City. It would be the meeting place for the characters in my novel. However, there was no way for me to get into the station. It had been closed for years while litigation went on between the city of Kansas City and the Trizec Corporation about who was responsible for the station’s deteriorating condition. I tried calling the Mayor’s office and also Trizec to get permission to set my scene under the clock, but was told no one could get in, not even the Mayor. All further pleas were forcefully rebuffed.
A few days later I was lost in the bowels of Union Station holding a lantern. It was very dark and very scary outside the edges of my lantern’s light, and I wondered what I had gotten myself into. After stumbling around in the dark for half an hour, I turned a corner and was attracted by a light shining from above. I headed up an old stairway feeling very much like a character in a Dicken’s novel to seek out the source of the light. At the top of the stairs, and to my complete amazement, the light was pouring in from the 90 foot high arched windows at the front of the station and had led me into the North Waiting Room. It was only a short walk to the clock where I wanted to set my scene.
The station, even in disrepair, was magnificent and I was spellbound. After spending some time setting my scene under the clock and in the North Waiting Room, it was time to explore. I headed up a stairway at the front of the station and encountered a security guard who was headed down. For a moment we were both too shocked to respond, and then he reached for his gun and I put my hands up in surrender. I began explaining why I was there, trying to put the guard at ease. He was not buying it however, and he called for backup. Two more security guards arrived, and I gave them my best pitch about literary pursuits and why they should let me go. But they weren’t buying it either, and they called the Kansas City Police Department.
I was in some serious trouble and wondered about my fate. After a bit of conversation, the security guards realized they were not dealing with John Dillinger. They relaxed and started asking me questions about the station. We were doing a mini tour when the giant doors at the front of the building banged open and three police officers entered and headed my way. They were immaculately dressed in crisp uniforms and their polished boots clicked off the station floor in military precision. I wondered why I rated an elite unit of the police department. The security guards gathered round to listen. The sergeant in charge put his chest close to mine, and the conversation went like this:
“Do you know what the penalty is for breaking and entering?” he asked.
I shook my head.
“Are you ready to go downtown?”
I remained silent.
“What is your name?”
I told him.
“What are you doing here?”
“I’m a writer and I wanted to set a scene under the clock.”
“What have you written?” the sergeant asked skeptically.
“You probably haven’t heard of it. A novel about Kansas City called, Gully Town.”
The sergeant hesitated and looked me over.
“I read Gully Town and I liked it,” he said.
I let out a deep sigh of relief.
The sergeant wiped his brow and looked around in awe at the magnificence of the station.
“You know Mr. Schultz,” he said. “I haven’t been in here since I was a kid. My dad used to bring me here all the time.”
And that’s when I knew he was more interested in the station than in me. His two companions were mesmerized by the station and had already headed to the North Waiting Room to look around.
“Are you going to thank me for getting you in here?”I asked.
“Don’t push your luck,” he muttered.
We began talking about the history of the station, and after a few minutes we got more comfortable with each other and began telling stories about Union Station. I was now giving a tour to three security guards and three police officers when those big doors swung open again and in marched a man dressed in a suit. He headed for us and the three police officers greeted him. I asked him who he was, and he replied that he was a police observer, and he joined our group. I suspected that he was there to observe the station, and wondered if the entire police force was going to show up.
We started a discussion about the Union Station Massacre. The officers wanted to know the route that federal agents had taken as they escorted the notorious criminal, Frank Nash, to a waiting car in the front parking lot. From there they would head to the penitentiary in Leavenworth, where Frank had escaped years before. But out in the parking lot, Vern Miller, Adam Richitti, and Pretty Boy Floyd waited to ambush the officers and free Frank. In the ensuing gun battle, four agents and Frank Nash were killed. We were deep into the discussion when the station doors banged open again and the Trizec executives marched in. I knew my moment of truth had arrived. Law enforcement left me like I had the plague and went to confer with Trizec.
They huddled in a corner of the station with glances in my direction. I suspected they were weighing the benefits of my arrest against the possibility of some bad publicity for jailing me for trying to research a Kansas City landmark. The conference lasted long enough to make me sweat, and then one of the executives marched over and stuck out his hand. I shook it. He told me that I was not going to be prosecuted, but that I was never to do it again. I now knew how Frank Nash must have felt surrounded by police officers and I wanted no part of a jail cell. I shook hands with all of the officers and they escorted me out of the building.
The next day a story appeared in the Kansas City Star about the escapade and how the power of the station brought us all together. The article summed it up very well and I was glad the story had a happy ending. A few years later the station opened and was once again an important hub in the Kansas City scene. A photo of the station is at the top right hand corner of my website: www.gpschultz.com